Summer Reading 2022: Upper School

A brutally moving work of art–widely hailed as the greatest graphic novel ever written– the Pulitzer Prize-winning Maus recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus is a haunting tale within a tale, weaving the author's account of his tortured relationship with his aging father into an astonishing retelling of one of history's most unspeakable tragedies. It is an unforgettable story of survival, family, and a disarming look at the legacy of trauma.

"I am in a bar in Brooklyn, listening to two men, my friends, discuss whether my life is worth living." So begins Chloé Cooper Jones's bold, revealing account of moving through the world in a body that looks different than most. Born with a rare congenital condition called sacral agenesis which affects both her stature and gait, her pain is physical. But there is also the pain of being judged and pitied for her appearance, of being dismissed as "less than." The way she has been seen–or not seen–has informed her lens on the world her entire life. She resisted this reality by excelling academically and retreating to "the neutral room in her mind" until it passed. But after unexpectedly becoming a mother (in violation of unspoken social taboos about the disabled body), something in her shifts, and Jones sets off on a journey across the globe, reclaiming the spaces she'd been denied, and denied herself. With its emotional depth, its prodigious, spiky intelligence, its passion and humor, Easy Beauty is the rare memoir that has the power to make you see the world, and your place in it, with new eyes.

In Chinese, the word for America, Mei Guo, translates directly to "beautiful country." Yet when seven-year-old Qian arrives in New York City in 1994 full of curiosity, she is overwhelmed by crushing fear and scarcity. In China, Qian's parents were professors; in America, her family labors in sweatshops. Instead of laughing at her jokes, they fight constantly, taking out the stress of their new life on one another. Shunned by her classmates and teachers for her limited English, Qian takes refuge in the library and masters the language through books. And where there is delight to be found, Qian relishes it, finding confirmation that the New York City she saw in movies does exist after all. But then Qian's headstrong Ma Ma collapses, revealing an illness that she has kept secret for months for fear of the cost and scrutiny of a doctor's visit. Inhabiting her childhood perspective with exquisite lyric clarity and unforgettable charm and strength, Qian Julie Wang has penned an essential American story about a family fracturing under the weight of invisibility, and a girl coming of age in the shadows, who never stops seeking the light.

Joy Harjo, the first Native American to serve as U.S. poet laureate, invites us to travel along the heartaches, losses, and humble realizations of her "poet-warrior" road. Poet Warrior reveals how Harjo came to write poetry of compassion and healing, poetry with the power to unearth the truth and demand justice. Harjo listens to stories of ancestors and family, the poetry and music that she first encountered as a child, and the messengers of a changing earth–owls heralding grief, resilient desert plants, and a smooth green snake curled up in surprise. She celebrates the influences that shaped her poetry, among them Audre Lorde, N. Scott Momaday, Walt Whitman, Muscogee stomp dance call-and-response, Navajo horse songs, rain, and sunrise. In absorbing, incantatory prose, Harjo grieves at the loss of her mother, reckons with the theft of her ancestral homeland, and sheds light on the rituals that nourish her as an artist, mother, wife, and community member. Moving fluidly between prose, song, and poetry, Harjo recounts a luminous journey of becoming, a spiritual map that will help us all find home.

Laura Coleman was in her early twenties and directionless when she quit her job to backpack in Bolivia. Fate landed her at a wildlife sanctuary on the edge of the Amazon jungle where she was assigned to a beautiful and complex puma named Wayra. Wide-eyed, inexperienced, and comically terrified, Laura made the scrappy, make-do camp her home. And in Wayra, she made a friend for life. They weren't alone, not with over a hundred quirky animals to care for, each lost and hurt in their own way: a pair of suicidal, bra-stealing monkeys, a frustrated parrot desperate to fly, and a pig with a wicked sense of humor. The humans, too, were cause for laughter and tears. There were animal whisperers, committed staff, wildly devoted volunteers, handsome heartbreakers, and a machete-wielding prom queen who carried Laura through. Most of all, there was the jungle–lyrical and alive–and there was Wayra, who would ultimately teach Laura so much about love, healing, and the person she was capable of becoming. Set against a turbulent and poignant backdrop of deforestation, the illegal pet trade, and forest fires, The Puma Years explores what happens when two desperate creatures in need of rescue find one another.

Born and raised in Milwaukee, Mildred Harnack was twenty-six when she enrolled in a PhD program in Germany and witnessed the meteoric rise of the Nazi party. In 1932, she began holding secret meetings in her apartment–a small band of political activists that by 1940 had grown into the largest underground resistance group in Berlin. She recruited working-class Germans into the resistance, helped Jews escape, plotted acts of sabotage, and collaborated in writing leaflets that denounced Hitler and called for revolution. When the first shots of the Second World War were fired, she became a spy, couriering top-secret intelligence to the Allies. On the eve of her escape to Sweden, she was ambushed by the Gestapo. On February 16, 1943, she was strapped to a guillotine and beheaded. Fusing elements of biography, real-life political thriller, and scholarly detective story, Harnack's great-great-niece Rebecca Donner brilliantly interweaves letters, diary entries, notes smuggled out of a Berlin prison, survivors' testimony, and a trove of declassified intelligence documents into a powerful, epic story, reconstructing the moral courage of an enigmatic woman nearly erased by history.

As an admissions officer specializing in diversity recruitment for independent prep schools, Kendra James persuaded students and families to embark on the same perilous journey she herself had made: to attend cutthroat and largely white schools similar to The Taft School, where she had been the first African-American legacy student only a few years earlier. Her new job, however, forced her to reflect on her own elite education experience and to realize how disillusioned she had become with America's inequitable system. In Admissions, Kendra looks back at the three years she spent at Taft, chronicling clashes and the ways she had to unlearn the respectability politics she'd been raised with. Through these stories, some troubling, others hilarious, she deconstructs the lies and half-truths she herself would later tell as an admissions professional, in addition to the myths about boarding schools perpetuated by popular culture.

As graphic artist Rhea Ewing neared college graduation in 2012, they became consumed by the question: What is gender? This obsession sparked a quest in which they eagerly approached both friends and strangers in their quiet Midwest town for interviews. A decade later, this project exploded into a sweeping portrait of the intricacies of gender expression with interviewees from all over the country. Questions such as "How do you Identify?" produced fiercely honest stories of dealing with adolescence, taking hormones, changing pronouns, and how these experiences can differ, often drastically, depending on culture, race, and religion. Amidst beautifully rendered scenes emerges Ewing's own story of growing up in rural Kentucky, grappling with their identity as a teenager, and ultimately finding themself through art. Tender and wise, inclusive and inviting, Fine is an indispensable account for anyone eager to define gender in their own terms.

The fascinating backstories of four women painted by John Singer Sargent come alive in this seductive, multilayered biography. With unprecedented access to newly discovered sources, Donna M. Lucey illuminates the lives of four extraordinary women painted by the iconic high-society portraitist John Singer Sargent. Sequestered in a fantasy-land castle in the remote Rocky Mountains, Elsie Palmer carried on a labyrinthine love life; Elizabeth Chanler stepped into a maze of infidelity with her best friend's husband; as the veiled image of Sally Fairchild–beautiful, commanding, and poison-tongued–emerged on Sargent's canvas, the power of his artistry lured her sister Lucia into an ill-fated life in art; shrewd, iron-willed Isabella Stewart Gardner collected both art and young men. Born to unimaginable wealth, these women lived on an operatic scale, and their letters and diaries create a rich depiction of the Gilded Age and the acclaimed but secretive painter whose canvases defined the era.

A wry and brilliantly observed portrait from the long-time cartoonist of The New Yorker about his Upper West Side Jewish family in the age of JFK and Sputnik. David Sipress, a dreamer and obsessive drawer, goes hazy when it comes to the ceaselessly imparted lessons-on-life from his father, the meticulous, upwardly mobile proprietor of Revere Jewelers, and in the face of the angsty expectations of his migraine-prone mother. With self-deprecation, wit, and artistry, Sipress paints his hapless place in his indelibly dysfunctional family, from the time he was tricked by his unreliable older sister into rocketing his pet turtle out his twelfth-floor bedroom window, to the moment he walks away from a Harvard PhD program in Russian history to begin his journey as a professional cartoonist. In What's So Funny?, Sipress's cartoons appear with spot-on precision, inducing delightful moments in answer to the perennial question aimed at cartoonists: Where do you get your ideas?

It started with an itch–first on Suleika Jaouad'd feet, then up her legs, like a thousand invisible mosquito bites. Next came the exhaustion, and the six-hour naps that only deepened her fatigue. Then a trip to the doctor and, a few weeks shy of her twenty-third birthday, a diagnosis: leukemia, with a 35 percent chance of survival. Just like that, the life she had imagined for herself had gone up in flames. She would spend much of the next four years in a hospital bed, fighting for her life. When Jaouad finally walked out of the cancer ward–after countless rounds of chemo, a clinical trial, and a bone marrow transplant–she was, according to the doctors, cured. But as she would soon learn, a cure is not where the work of healing ends; it's where it begins. How would she reenter the world and live again? Jaouad embarked–with her new best friend, Oscar, a scruffy terrier mutt–on a 100-day, 15,000-mile road trip across the country. She set out to meet some of the strangers who had written to her during her years in the hospital. What she learned on this trip is that the divide between sick and well is porous, that the vast majority of us will travel back and forth between these realms throughout our lives. Between Two Kingdoms is a profound chronicle of survivorship and a fierce, tender, and inspiring exploration of what it means to begin again.

Frances Glessner Lee, born a socialite to a wealthy and influential Chicago family in the 1870s, was never meant to have a career, let alone one steeped in death and depravity. Yet she developed a fascination with the investigation of violent crimes, and made it her life's work. Best known for creating the Nutshell Studies of Unexplained Death, a series of dollhouses that appear charming until you notice the macabre little details: an overturned chair, or a blood-spattered comforter. And then, of course, there are the bodies–splayed out on the floor, draped over chairs–clothed in garments that Lee lovingly knit with sewing pins. 18 Tiny Deaths delves into Lee's journey from grandmother without a college degree to leading the scientific investigation of unexpected death out of the dark confines of centuries-old techniques and into the light of the modern day.