K-12 Book List: Celebrating Hispanic Heritage

Every year, Ceyala “Lala” Reyes' family—aunts, uncles, mothers, fathers, and Lala's six older brothers—packs up three cars and, in a wild ride, drive from Chicago to the Little Grandfather and Awful Grandmother's house in Mexico City for the summer. Struggling to find a voice above the boom of her brothers and to understand her place on this side of the border and that, Lala is a shrewd observer of family life. But when she starts telling the Awful Grandmother's life story, seeking clues to how she got to be so awful, grandmother accuses Lala of exaggerating. Soon, a multigenerational family narrative turns into a whirlwind exploration of storytelling, lies, and life. Like the cherished rebozo, or shawl, that has been passed down through generations of Reyes women, Caramelo is alive with the vibrations of history, family, and love.

---

The House of the Spirits, the unforgettable first novel that established Isabel Allende as one of the world's most gifted storytellers, brings to life the triumphs and tragedies of three generations of the Trueba family. The patriarch Esteban is a volatile, proud man whose voracious pursuit of political power is tempered only by his love for his delicate wife Clara, a woman with a mystical connection to the spirit world. When their daughter Blanca embarks on a forbidden love affair in defiance of her implacable father, the result is an unexpected gift to Esteban: his adored granddaughter Alba, a beautiful and strong-willed child who will lead her family and her country into a revolutionary future. One of the most important novels of the twentieth century, The House of the Spirits is an enthralling epic that spans decades and lives, weaving the personal and the political into a universal story of love, magic, and fate.

---

In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs–yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.

---

When it happened, Miguel was sent to Juvi. The judge gave him a year in a group home—said he had to write in a journal so some counselor could try to figure out how he thinks. The judge had no idea that he actually did Miguel a favor. Ever since it happened, his mom can’t even look at him in the face. Any home besides his would be a better place to live. But Miguel didn’t bet on meeting Rondell or Mong or on any of what happened after they broke out. He only thought about Mexico and getting to the border to where he could start over. Forget his mom. Forget his brother. Forget himself. Life usually doesn’ t work out how you think it will, though. And most of the time, running away is the quickest path right back to what you’re running from. From the streets of Stockton to the beaches of Venice, all the way to the Mexican border, We Were Here follows a journey of self-discovery by a boy who is trying to forgive himself in an unforgiving world.

---

Acclaimed writer Julia Alvarez’s beloved first novel gives voice to four sisters as they grow up in two cultures. The García sisters—Carla, Sandra, Yolanda, and Sofía—and their family must flee their home in the Dominican Republic after their father’s role in an attempt to overthrow brutal dictator Rafael Trujillo is discovered. They arrive in New York City in 1960 to a life far removed from their existence in the Caribbean. In the wondrous but not always welcoming U.S.A., their parents try to hold on to their old ways as the girls try find new lives: by straightening their hair and wearing American fashions, and by forgetting their Spanish. For them, it is at once liberating and excruciating to be caught between the old world and the new. Here they tell their stories about being at home—and not at home—in America.

---

Perfect Mexican daughters do not go away to college. And they do not move out of their parents’ house after high school graduation. Perfect Mexican daughters never abandon their family. But Julia is not your perfect Mexican daughter. That was Olga’s role. Then a tragic accident on the busiest street in Chicago leaves Olga dead and Julia left behind to reassemble the shattered pieces of her family. And no one seems to acknowledge that Julia is broken, too. Instead, her mother seems to channel her grief into pointing out every possible way Julia has failed. But it’s not long before Julia discovers that Olga might not have been as perfect as everyone thought. With the help of her best friend, Lorena, and her first love (first everything), Connor, Julia is determined to find out. Was Olga really what she seemed? Or was there more to her sister’s story? And either way, how can Julia even attempt to live up to a seemingly impossible ideal?

---

In this witty and enthralling saga of revolutionary South America, Carlos Fuentes explores the period of profound upheaval he calls" the romantic time." His hero, Baltasar Bustos, the son of a wealthy landowner, kidnaps the baby of a prominent judge, replacing it with the black baby of a prostitute. When he catches sight of the baby's mother, though, he falls instantly in love with her and sets off on an anguished journey to repent his act and win her love.

---

Every morning, seventeen-year-old Maria Anís Rosario takes the subway an hour from her boisterous and close-knit family in Queens to her private high school on the Upper East Side, where she struggles to fit in as one of the only Latina students – until Rocky welcomes her into this new life. White, rebellious, and ignored by her wealthy parents, Rocky uses her money toward one goal: to get away with anything. To Maria, it's a dazzling privilege. As a bond develops between these unlikely friends, neither can see what they share most – jealousy and the desire for each other's lives. But crackling under the surface of their seemingly supportive alliance, the girls begin to commit little betrayals as they strive to get closer to their ideals regardless of the consequences. Told from the perspectives of Maria, Rocky, and their fathers, They Could Have Named Her Anything explores the heartfelt expectation of what it means to live up to the name you've been given and the more rewarding discovery of what really matters.

From the esteemed New Yorker correspondent comes an incisive volume of essays and reportage that vividly illuminates Latin America's recent history. Only Alma Guillermoprieto, the most highly regarded writer on the region, could unravel the complex threads of Colombia's cocaine wars or assess the combination of despotism, charm, and political jiu-jitsu that has kept Fidel Castro in power for more than 40 years. And no one else can write with such acumen and sympathy about statesmen and campesinos, leftist revolutionaries and right-wing militias, and political figures from Evita Peron to Mexico's irrepressible president, Vicente Fox. Whether she is following the historic papal visit to Havana or staying awake for a pre-dawn interview with an insomniac Subcomandante Marcos, Guillermoprieto displays both the passion and knowledge of an insider and the perspective of a seasoned analyst. Looking for History is journalism in the finest traditions of Joan Didion, V. S. Naipaul, and Ryszard Kapucinski: observant, empathetic, and beautifully written.

---

They are sometimes called the people who died twice, once at the hands of the Spaniards and their brutal process of civilization, then at the hands of Anglos, practicing a subtler exploitation. They are Latinos, the fastest-growing minority in the United States. Earl Shorris's deeply moving narrative―enlivened by biographical sketches of Mexican Americans, Cuban Americans, Puerto Ricans, and many others struggling with the burden of a rich and terrible history―illuminates every aspect of the Latino experience in America, from language to education to social and political organization.

---

These uncensored and unabridged diaries were written in 1966 and 1967 when Che Guevara was attempting to establish a guerilla insurrectionary movement in Bolivia. There are also diaries of his three closest lieutenants and photographs taken by the Cuban leader before he was apprehended.

---

Here is an intriguing exploration of the ways in which the history of the Spanish Conquest has been misread and passed down to become popular knowledge of these events. The book offers a fresh account of the activities of the best-known conquistadors and explorers, including Columbus, Cortes,and Pizarro. Using a wide array of sources, historian Matthew Restall highlights seven key myths, uncovering the source of the inaccuracies and exploding the fallacies and misconceptions behind each myth. This vividly written and authoritative book shows, for instance, that native Americans did not take the conquistadors for gods and that small numbers of vastly outnumbered Spaniards did not bring down great empires with stunning rapidity. We discover that Columbus was correctly seen in his lifetime--and for decades after--as a briefly fortunate but unexceptional participant in efforts involving many southern Europeans. It was only much later that Columbus was portrayed as a great man who fought against the ignorance of his age to discover the new world. Another popular misconception--that the Conquistadors worked alone--is shattered by the revelation that vast numbers of black and native allies joined them in a conflict that pitted native Americans against each other. This and other factors, not the supposed superiority of the Spaniards, made conquests possible.The Conquest, Restall shows, was more complex--and more fascinating--than conventional histories have portrayed it.

---

Each year, a quarter million Americans visit the Mexican state of Oaxaca, an ancient land where indigenous, pre-Columbian, and colonial worlds exist side by side. Photographer Judith Haden offers a pictorial love letter to Oaxaca, illuminating its everyday life in supersaturated blues, dazzling yellows, and pinks so hot they vibrate on the page. Compelling portraits of market vendors, folk art and artists, fiestas, and historic sites are matched by insightful prose. More than a dozen essays explore the street markets, religious festivals, artes populares, music, architecture, gastronomy, history, and language, tracing the palpable features of the faces of Oaxaca. With more than two hundred breathtaking color photographs, this volume captures the spirit and traditions of a valley whose dynamic culture, hospitable people, and rugged beauty have bewitched travelers since the time of Cortez.

---

12.5 million Africans were shipped to the New World during the Middle Passage. While just over 11.0 million survived the arduous journey, only about 450,000 of them arrived in the United States. The rest—over ten and a half million—were taken to the Caribbean and Latin America. This astonishing fact changes our entire picture of the history of slavery in the Western hemisphere, and of its lasting cultural impact. These millions of Africans created new and vibrant cultures, magnificently compelling syntheses of various African, English, French, Portuguese, and Spanish influences. Despite their great numbers, the cultural and social worlds that they created remain largely unknown to most Americans, except for certain popular, cross-over musical forms. So Henry Louis Gates, Jr. set out on a quest to discover how Latin Americans of African descent live now, and how the countries of their acknowledge—or deny—their African past; how the fact of race and African ancestry play themselves out in the multicultural worlds of the Caribbean and Latin America. Starting with the slave experience and extending to the present, Gates unveils the history of the African presence in six Latin American countries—Brazil, Cuba, the Dominican Republic, Haiti, Mexico, and Peru—through art, music, cuisine, dance, politics, and religion, but also the very palpable presence of anti-black racism that has sometimes sought to keep the black cultural presence from view.

---

From the barrios of Brooklyn to the stage at the High School of Performing Arts and later to Harvard,Almost a Woman continues Esmeralda Santiago's amazing story of a young woman caught between two worlds. The oldest of eleven children, she is kept on such a strict leash by her powerful mother that at the age of seventeen she had not yet gone on a date. By no means sheltered however, she is experienced in the harsh realities of welfare offices, beaten up by jealous classmates at junior high school, and taunted by her brothers and sisters as she struggles to learn 'Eastern Standard English.' She eventuallybreaks loose and elopes with a mysterious, perhaps dangerous, Turkish entrepreneur.Almost a Woman is a tale of transformation, comedy, and survival, both a search for independence and cultural identity as well as a mother/daughter struggle of heroic dimensions. Santiago's fans will eagerly embrace this long-awaited volume.